Thursday, October 3, 2013

Here's a 16 foot tall trade show booth we built for St Killian, an 
imported European beer company for their booth in Las Vegas 
at this year's NBWA. We designed it, built it, packed it, shipped it, 
and installed it in Las Vegas. Then we tried their products. All of them. 
And they import about 120 brands. Needless to say, blackjack was a 
money- losing proposition.
 
 

Friday, September 20, 2013

No job too big...

We made a model of the earth, a significant percentage smaller than the original, created in plastic since we're wearing the old, all-natural one, and smacked it up on the wall to see if it would stick.  How irreverent.  Sorry.  How about this: We took the Smarter Planet symbol IBM has used these last few years and created it in a 36" version and installed it in their offices in New York City.  It took a few minutes to hang, once we got the hang of it.  It's up... and it stuck.

Tuesday, August 20, 2013

Lost? New York Pedestrian Maps Are Coming...

Below is a New York Times article about how the NYC Transportation Department is installing a network of over 400 pedestrian maps around city streets. Everett Studios is manufacturing the maps. That entails printing each map graphic onto a clear adhesive film and mounting it to the back of tempered glass about six feet tall with varying widths. Once we add security hardware, they are shipped to the Transportation Department for installation.

It is the local traveler’s private shame — all-consuming as the numbered streets disappear, or at the top step of an unknown subway exit, or maybe a half block away from the station, at the unfamiliar intersection where the truth is inescapable.

You are a New Yorker. Your inner compass has betrayed you. You, dare say it, may even be lost. 

On Monday, the city announced a possible remedy for the uncertain: a new, $6 million network of pedestrian maps, oriented in the direction that the viewer is facing — so that someone looking east from Lower Manhattan, for instance, might find the Brooklyn Bridge at the top of the display.

The maps, to be installed on sidewalks and inside subway stations, will include the locations of transit hubs and bike lanes, as well as estimated walking times for pedestrians.

By summer’s end, about 100 of the maps will be installed, according to the Transportation Department, with plans to expand citywide over the next year. 

“We all know that feeling of being turned around,” Janette Sadik-Khan, the city’s transportation commissioner, said at a news conference beside a newly installed map in Chinatown. 

A department study, based on a survey of 500 pedestrians, found that one-third of New Yorkers could not say which direction north was. Fourteen percent of residents and 27 percent of visitors could not name the neighborhood or borough in which they were being surveyed. And nearly 10 percent of locals admitted they had gotten lost in the previous week. 

“There is a clear need for this system,” Ms. Sadik-Khan said. 

Midtown Manhattan; Prospect Heights, Brooklyn; and Long Island City, Queens, are among the other neighborhoods set to receive maps during the program’s introduction this summer. The maps can already be found on the more than 300 bike-share kiosks installed in Manhattan below 59th Street and in parts of Brooklyn. And the Metropolitan Transportation Authority plans to replace its network of neighborhood maps — posted in each station near the turnstiles — with a version of the new maps. 
Beside a station entrance at Canal Street on Monday, examples of subway dislocation persisted. Riders reached street level, fumbling for their phones (and the maps they supplied) before making their first moves. Others turned sharply as they exited, then doubled back to reconsider. 

A survey of 10 New Yorkers, conducted near Centre and Canal Streets — where no numbered street signs could be consulted — suggested that the Bloomberg administration’s data may even overstate the city’s collective sense of direction. 

Four respondents correctly identified which direction was north on their first try. Two pointed south, one pointed east, and one could not hazard a guess. The remaining two pointed west, including one man who consulted a compass app on his smartphone before guessing. 

“This way,” the man, Eric Rahman, said in front of the small gift shop he operates, stretching an arm along Canal Street, as his app seemed to instruct. 

He was informed of his mistake. “Hold on,” he said, punching at the phone again.
The city might be wise to install the maps in front of his shop, if only to give a second opinion. Mr. Rahman said he often helped passers-by who asked for directions. 

Wednesday, June 26, 2013

Recently Everett produced a one day meeting for Pernod Ricard in Manhattan.

Recently Everett produced a one day meeting for Pernod Ricard in Manhattan. The event was held at the Marriott Marquette. The morning segment’s objective was to update employees about general company business. It was webcast to employees at about 100 locations around the country. There was a “live” audience of about 300 people at the hotel. There were four presenters including Pernod Ricard’s President and CEO. Everett produced the show including all graphics, room décor, lighting, live video coverage, and technical requirements for the webcast.
After lunch the agenda focused on broader issues within the spirits industry. The “live” audience grew by about 50 additional guests. Presentations were given by representatives from the United States and France; and there was a keynote speaker. As with the morning meeting, Everett produced the business presentations and graphics, as well as handled all technical support. There was video coverage for archival purposes, but no webcast.
It was a great meeting from Pernod Ricard’s perspective because the webcast segment gave senior managers a cost effective way to reach a majority of U.S. employees with important corporate business.

Wednesday, September 21, 2011

So what's the deal with the everett COOL 15? Well... every once in a while we list 15 cool things we found.

Today's entry...
15 COOL websites that you will find useful.

Here they are (enjoy!)

01. screenr.com : record movies of your desktop and send them straight to YouTube.

02. bounceapp.com : for capturing full length screenshots of web pages.

03. goo.gl : shorten long URLs and convert URLs into QR codes.

04. untiny.me : find the original URLs that's hiding behind a short URLs.

05. localti.me : know more than just the local time of a city

06. copypastecharacter.com : copy special characters that aren't on your keyboard.

07. topsy.com : a better search engine for twitter.

08. fb.me/AppStore : search iOS app without launching iTunes.

09. iconfinder.com : the best place to find icons of all sizes.

10. office.com : download templates, clipart and images for your Office documents.

11. woorank.com : everything you wanted to know about a website.

12. virustotal.com : scan any suspicious file or email attachment for viruses.

13. wolframalpha.com : gets answers directly without searching - see more wolfram tips.

14. printwhatyoulike.com : print web pages without the clutter.

15. joliprint.com : reformats news articles and blog content as a newspaper.

Friday, September 2, 2011

Steve Jobs... A few thoughts. And not the same set you've read in all the papers.

He revolutionized a lot of things, to be sure. One of them, not mentioned to my knowledge is our specific industry. The PC was a wonderful tool. But the Mac made graphics. Now, certainly,the PC and the Mac are pretty close in capabilities today but visit any design studio, any agency, any printing company and they're inevitably inextricably interconnected with Apple products. Steve Jobs targeted the graphics industry and created this particular revolution.
Back in the late 1980s we were all downplaying the effects of the computer in our industry. Photography was a film-based and photo-paper print-based business. Typography was an art delivered by specific technology that was far too complex for a desktop computer.


Slides were on Kodak Ektachrome film in Wess mounts projected by Kodak Carousel projectors, sometimes controlled by very particular and specific computers that could be programmed to time the slides from multiple projectors to simulate a really rather rudimentary sort of animation.


Print ads and brochures were done by making what were called 'mechanicals' and then they were sent to printers who made what were called 'separations' which were turned into 4 color 'plates' which were attached to the printing presses and the artwork was transformed to printed materials through a miraculous affixing of tiny little dots of ink that, when combined according to the instructions of the mechanical and then the separation and then the plate and then the press, made stuff that looked like... ads and brochures! Video was a series of cameras that recorded images onto tape, 2 inch, then 1 inch, then 3/4 inch then 1/2 inch and 8mm and 1/4 inch and whatever amount of inches, it was all bound up in rolls and required an editing suite of serious electronic equipment to convert what you taped into what you wanted.
All of it was a nightmare. My brother Mark, once, in the midst of the transition to today's technology, when we still had to have all the old stuff and all the new stuff because the new ways were not quite robust or reliable, even if they were quicker and more efficient and promised even more efficiency and speed, said, famously, "What was so wrong about the old way?" We all laughed, agreed, knew he was right and terribly wrong. Today the old way seems like Hieroglyphics. The new way is so entrenched it only seems like the new way to people who knew the old way. It is, let's face it, the only way.
A Mac with the tools to create art of one sort or another is a magical box. Capable of graphics for print, web, video, presentation graphics, whatever you want. And better than anything before it. Capable of so much so fast so well, it's a sort of miracle. What was so wrong about the old way was that there was a need for a very specific piece of technology and an expert for almost everything you wanted to do. A typographer was a pretty valuable person. A photographer was an artist. A designer was usually a pretty talented and creative person in the form of a pretty cantankerous package. Cantankerous because good designers had way too much to do with rather limited tools, and no time to do it.
The industry has changed. People with some skills can pull some magic off the screen. Kids can create their own graphics effortlessly. One person can do five tasks. More. With the help of a fairly intuitive computer and some pretty capable software.
Steve Jobs had more to do with this than anyone. His company took direct aim at our various industries and reinvented all of them. All while he reinvented the telephone and the PC and animated films and the music business... and a few more, too.